SCARLET DREAMING

INTRO

I used to know a girl, she had red hair

She had a fake tattoo on her backside

Never understand

Never asking anything

And sometimes the meaning

And what she thinks the meaning is

Are not the same

VERSE

I used to know a girl, she had red hair 

She had a fake tattoo on her backside

She couldn't understand

Her place inside of everything

And sometimes the meaning

And what she thinks the meaning is

Are not the same 

I used to know a girl, she wore a bright stare

Thinks nobody saw through to the other side

She couldn't understand

Whats behind the offering 

And sometimes what she thinks

And what she knows are not the same

PRE-CHORUS

But she knows, it is not what it feels

She lives to fantasise ...

Maybe someday he'll be ...

Maybe someday I'll be ...

CHORUS

Lately I've been looking on 

The baddest behaviour

I guess nothing is quite what we make it 

And I wont be falling back to the Earth

Lately I've been looking on

The baddest behaviour

I guess nothing is quite what we make it

And I won't be falling back to the Earth

VERSE

I used to know a girl, she had red hair

She had a demon or two and a dark side

Couldn't understand

The voice that tells her everything

It says not what it means

And means not what it sees, or what it says

I used to know girl, she had red hair

She had a fake tattoo on her backside

Couldn't understand

How could he know anything?

The man inside her dream, she often sees

Is not the man ...

PRE-CHORUS

That she knows, he is not just a dream

Too real for fantasy

Lately I believe in

Sacred scarlet dreaming

CHORUS

Lately I've been looking on 

The baddest behaviour

I guess nothing is quite what we make it 

And I wont be falling back to the Earth

Lately I've been looking on

The baddest behaviour

I guess nothing is quite what we make it

And I won't be falling back to the Earth

MIDDLE 8

LEAD

CHORUS

Lately I've been looking on 

The baddest behaviour

I guess nothing is quite what we make it 

And I wont be falling back to the Earth

Lately I've been looking on

The baddest behaviour

I guess nothing is quite what we make it

And I won't be falling back to the Earth

OUTRO

--------

CONTEXT

One night back when I first met Bradie, I was helping my friend Scott run the open mic night at Palmerston Tavern

In a conversation I told my friends, "I know Bradie is the one, because she is the first woman I've ever met in my life that I wanted to marry" and I told them "If she wanted me to, I would marry her tomorrow". Which I knew was crazy, because I barely knew her 

After this, I sang the song "Yellow" by Coldplay. A song I had never sung before

The next day on Facebook, Bradie posted a Coldplay song on her wall, and said "I had a dream this guy (from Coldplay) proposed to me last night. *sigh* sweet dreams"

I realised then, that she could see me in her dreams

This was just the first time

I soon realised I could also see her

Many times, I'm lucid. Awake inside me dream. And I'm guessing sometimes, so is she

Sometimes, it is a real as being awake in this world. I look into her eyes and it's a real soul. More than just a dream

And she seems to recognise who she sees as well ... But I don't think she realises it is me

JUST GOT HAPPY YESTERDAY

Many times before I've

Held myself before the wrath of pain

So confused am I

To have my own mind

I feel the emptiness as it

Slowly crawls in back to me again

It's about to take me over 

And ...

Time keeps on slipping over to

What it once was supposed to be

And ...

Time has it's own way home

Just got happy yesterday

And I'm already losing hope

Throw my dreams in, walk away

And I'm about to take it all

I'm not focused

I'm not missing anyone but you right now

And I ...

I just got happy yesterday 

Too many times before I've ...

Pacified the ending with my means

It means more to me

Than what you could suppose

I feel the emptiness as it

Slowly crawls in back to me again

It's about to take me over 

And ...

Time keeps on slipping over to

What it once was supposed to be

And ...

Time has it's own way home

Just got happy yesterday

And I'm already losing hope

Throw my dreams in, walk away

And I'm about to take it all

I'm not focused

I'm not missing anyone but you right now

And I ...

I just got happy yesterday

Time keeps on slipping over to

What it once was supposed to be

And ...

Time has it's own way home

Just got happy yesterday

And I'm already losing hope

Throw my dreams in, walk away

And I'm about to take it all

I'm not focused

I'm not missing anyone but you right now

And I ...

I just got happy yesterday

(Just got happy yesterday)

And I'm already losing hope

(Throw my dreams in, walk away) 

And I'm about to take it all

I'm not focused

I'm not missing anyone but you right now

And I ...

I just got happy yesterday

-----

There will come a time when the world will know your name

There will come a time when they will sing your songs

You will bring joy to people everywhere you go

And long after you are gone

Your destiny is written in stone and nothing can change it

Your destiny is written in the stars

RAINCLOUD IN MY POCKET

We didn't like so many reasons that I never see this light again

I want to know the truth about all that is hidden from us

It's like a raincloud in my pocket. it's like a raincloud in my pocket

I am the light of the cosmos

Its like a raincloud falling down

I am the sun of the morning

WHEREVER I FALL

Straight up in line

I was thinking about myself

And every one of our souls

Straight up in Inside

I would be blessed to be between my ears

When every one of us goes 

Blessed be these lights 

When every one of us sews

Blessed be

We'll figure it out some time

Wherever I fall

Why is it always by myself?

Whenever I dream the perfect life

Why am I dreaming of someone else? 

Whenever I stand

Why am I standing by myself?

Whenever I try to bring the light

Why does it get so dark? 

Whenever I fall

Turned in outside

I was thinking about my seat

And all that none of us know

Turned in these lines

I will be flesh to beseek my peers

When every one of us knows

Flash between these eyes

When every one of us is gold

Flash between

We'll figure it out some time

Wherever I fall

Why is it always by myself?

Whenever I dream the perfect life

Why am I dreaming of someone else? 

Whenever I stand

Why am I standing by myself?

Whenever I try to feel the light

Why does it get so hard?

Whenever I fall

Consider it un

Consider it to

Consider it the

Consider it is 

Consider it as

Consider it I

Consider it It

Consider it At

Consider it A

Consider it An

Consider it And

Waste of Time - Suno

Gotta be a reason why

I've never felt like I belong

In this world

In the dark of morning I go

Searching for what I have lost

And lose myself again

Lose myself again

We can't pretend that there's

A way that works with certainty

No answers

We just on trying to win while

Searching for that something

Which makes it all worth while

Or we lose our minds

Why was I kidding myself 

That you could be the one for me

Cause you are just a mess 

And you no longer care

Wo-o-oh, you're a waste of my ti-i-ime

How could I let you under my skin

To work me over ... I said

One day you'll see

what you missed in me

Might think about

what could have been

In another life

Another time

When you didn't waste my time

Gotta be a reason why

I never felt like I belong

In ... This ... World

Why was I kidding myself 

That you could be the one for me

Cause you are just a mess 

And you no longer care

Wo-o-oh, you're a waste of my ti-i-ime

How could I let you under my skin

To work me over ... I said

One day you'll see

what you missed in me

Might think about

what could have been

In another life

Another time

When you didn't waste my time

You know I'm gonna be fine

Without you

Life keeps on spinning

On and on, and on and on

And on and on, and on and on

And on and on, and on and on

And on

[Guitar lead]

How could you go and

Talk to me like that

Weren't I the one

Who's always having your back

How could you go and

Make me feel so small

When there's always something

Always something more 

How could you go and

Make me feel so sad

Weren't I the one

Who's always having your back

How could you go and

Make me feel so small

When there's always something

Always something ...

Mo-o-ore, you're a waste of my ti-i-ime

How could I let you under my skin

To work me over ... I said

One day you'll see

what you missed in me

Might think about

what could have been

In another life

another time

When you didn't waste my time

There's a message that I'm

Sending here to you

You're just a waste of time 

Another life

Another ti-i-i-i-ime

Karma Sweet Delilah - Suno

We rise so far to fall
the planet seeds
the dead can't help our souls
Hypocrisy

I've been through this to many times
I know just what you'll do to me
So excuse me if I do things differently

How could you say that this life should be granted?
You're the sorriest thing I'll ever know
why would I stay if you take me for granted?
I'm afraid I'm about to let it all
fall down

we look beyond our walls for clemency
Our cages are our cells
Apostasy

I've been through this to many times
I know just what you'll do to me
So excuse me if I see things differently

How could you say that this life should be granted?
You're the sorriest thing I'll ever know
why would I stay if you take me for granted?
I'm afraid I'm about to let it all

[F] fall down, sweet [Gm] Delilah
she's [G#] fading away, she's [A#] fading away

karma sweet [Gm] Delilah
she's [G#] fading away, she's [A#] fading away

all that you feel
Is all that is real
don't let anybody take that
you're alive, alive, alive, alive

all that you feel
Is all that is real
don't let anybody take that
you're alive, alive, alive, alive

We shine upon ourselves, the mysteries
The ages cycle thought, recursively

I've been through this to many times
I know just what you'll do to me
So excuse me if I play things differently

How could you say that this life should be granted?
You're the sorriest thing I'll ever know
why would I stay if you take me for granted?
I'm afraid I'm about to let it all

[F] fall down, sweet [Gm] Delilah
she's [G#] fading away, she's [A#] fading away
karma sweet [Gm] Delilah
she's [G#] fading away, she's [A#] fading away


all that you feel
Is all that is real
don't let anybody take that
you're alive, alive, alive, alive

all that you feel
is all that is real
don't let anybody take that
you're alive, alive, alive, alive

All that you feel
is all that is real
Don't let antibody take that
You're alive, alive, alive, alive

All that you feel
is all that is real
Don't let anybody take that
You're alive, alive, alive, alive
alive, alive, alive, alive
You're alive
You're alive

the structure, feel, key and tempo of the song should follow the audio file exactly. Do not shorten the song. Middle section structure needs to be as loyal to the original A solid rock song with an uncompromising edge and groove, but with a radio ready feel and polish. Heavy distorted guitars, like a les Paul played on a modified Marshall JCM 800. Lead break in the middle should be emotional and slick, filling all but the last 4 cycles of the guitar progression in the middle section before the vocals come back in. Clean rock vocals, with attitude when needed, such as in the audio example

Energetic alternative rock track featuring a driving acoustic guitar rhythm played on a les paul and modified Marshall JCM800 and a gritty male vocal performance. The song is set in a 4/4 time signature at a tempo of 125 BPM, centered around a chord progression of G major, C major, and D major. The arrangement starts with a percussive acoustic guitar strumming pattern using open chords, soon joined by a punchy drum kit with a prominent snare and steady eighth-note hi-hats. The vocals are delivered with a raspy, passionate chest voice, utilizing melodic leaps and occasional grit for emotional emphasis. The chorus introduces a layered vocal harmony and a more aggressive strumming style. Production is clean but retains a raw, live-room feel with light plate reverb on the vocals and a balanced mix that highlights the mid-range frequencies of the guitar. The structure follows a standard verse-chorus-verse-chorus-bridge-chorus-outro format.

Could I be someone - Suno

 Well i guess i was more than just strange
seen my hopes and my dreams fade away
But I couldn't change for you
But could I stay for just a little while
I couldn't help being afraid
Please understand that I am just a child

Only ever wanted the best for me
Hope to see me turn into a man
But I couldn't change for you
But could I stay for just a little while?
I couldn't help being afraid
Please understand that I am just a child

Well I guess its a mystery
Could I ever been someone
Could you have loved me unconditionally
Could I've been someone
Could I've been someone
That you'd love
You'd love

Well I guess its a mystery
Could I ever been someone
Could you have loved me unconditionally
Could I've been someone
Could I've been someone
Could I .... been someone
Could I-i-i been someone
That you'd love
You'd love

Cover should follow the exact structure, key, melodly and feel. A melancholic indie folk composition featuring intricate fingerstyle acoustic guitar and emotive male vocals. The track begins with a repetitive, descending guitar pattern in a minor key, played with a clean, resonant tone. The tempo is a steady 85 BPM. The vocals are intimate and breathy in the verses, transitioning into a powerful, strained belt during the chorus with significant chest voice resonance. The structure follows a Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro format. The bridge introduces a rhythmic strumming pattern and vocal ad-libs that build in intensity. Production is minimal, focusing on the natural acoustics of the guitar and a dry, front-and-center vocal mix with light reverb.

I need a sign - Suno

[female verse]
It's easy enough to see that you want me
I guess it's true
Can tell by that look I see in your eyes
it's you

I know what I'm wanting to say
but I'm scared of what might take away
it's easy enough I could be mistaken

[female chorus]
[light male harmony vocals]
But I need a sign from you so I am sure
cause I want this world to show me so much mo-o-o-ore
and babe, what am I am supposed to do when
all I do is think about you
I need a sign so I am sure
cause I want this world to show me so much more

[male and female vocals]

It's easy enough I could be mistaken
I guess it's true
Cant tell by that look I stay in your eyes
fuck you

I know what I'm wanting to say
but I'm scared of what might take away
it's easy enough it could be you want me

[female chorus]
[light male harmony vocals]
But I need a sign from you so I am sure
cause I want this world to show me so much mo-o-o-ore
and babe, what am I am supposed to do when
all I do is think about you
I need a sign so I am sure
cause I want this world to show me so much more

[middle 8]
though this pain seems never ending
I'm hoping you could be my friend
not coming down again
it's not quite what I'd intended
it's not coming down again
it's not quite what I'd intend

[female chorus]
[more pronounced male harmony vocals]
But I need a sign from you so I am sure
cause I want this world to show me so much mo-o-o-ore
and babe, what am I am supposed to do when
all I do is think about you
I need a sign so I am sure
cause I want this world to show me so much more

light acoustic adult contemporary rock, sung by a female with smooth but powerful voice. A light soaring male harmony vocal is used in places in the verses and throughout the chorus, getting slightly more pronounced each chorus. The structure of the song should exactly follow the audio example, without deviating or changing the feel. This is supposed be a sweet, melancholic reflection of a woman who is confused about the most beautiful love she has ever felt. To the point nothing seems to make sense. The emotion in her voice should follow this. In the middle 8 section, there should be a slightly raspy or husky power to her voice, like a cathartic scream wants to emerg from within a nearly mournful crescendo. It should be light acoustic guitars, adult contemporary escalating to being almost soft rock in the chorus ... the middle 8 section and the similar end section, should drive, with a big finish with soaring powerful vocals

[female verse]

It's easy enough to see that you want me

I guess it's true

Can tell by that look I see in your eyes

it's you

I know what I'm wanting to say

but I'm scared of what might take away

it's easy enough I could be mistaken

But I need a sign from you so I am sure

cause I want this world to show me so much mo-o-o-ore

and babe, what am I am supposed to do when

all I do is think about you

I need a sign so I am sure

cause I want this world to show me so much more

It's easy enough I could be mistaken

I guess it's true

Cant tell by that look I stay in your eyes

fuck you

I know what I'm wanting to say

but I'm scared of what might take away

it's easy enough it could be you want me

But I need a sign from you so I am sure

cause I want this world to show me so much mo-o-o-ore

and babe, what am I am supposed to do when

all I do is think about you

I need a sign so I am sure

cause I want this world to show me so much more

though this pain seems never ending

I'm hoping you could be my friend

not coming down again

it's not quite what I'd intended

it's not coming down again

it's not quite what I'd intend

But I need a sign from you so I am sure

cause I want this world to show me so much mo-o-o-ore

and babe, what am I am supposed to do when

all I do is think about you

I need a sign so I am sure

cause I want this world to show me so much more